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Transient detection is an important algorithm in perceptual audio codecs that enables adaptation in filterbank resolution to effectively mitigate artifacts in encoded audio signals. We present a curated selection of transient detection methods tailored for audio coding purposes, namely high frequency energy (HFE), block perceptual entropy (BPE), time-frequency spectral flatness measure (TFSFM), and sub-block peak energy (SPE). The methods are then evaluated in a MUSHRA listening test using selected critical materials from the EBU-SQAM dataset. This paper provides insights into perceptual audio coding and paves the way for further optimization in transient detection.
Author (s): Fan, Senyuan; Kuo, Emily; Shah, Sneha; Bosi, Marina
Affiliation:
Center for Computer Research in Music and Acoustics (CCRMA), Stanford University; Center for Computer Research in Music and Acoustics (CCRMA), Stanford University; Center for Computer Research in Music and Acoustics (CCRMA), Stanford University; Center for Computer Research in Music and Acoustics (CCRMA), Stanford University
(See document for exact affiliation information.)
AES Convention: 155
Paper Number:131
Publication Date:
2023-10-06
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Session subject:
Signal Processing
Permalink: https://aes2.org/publications/elibrary-page/?id=22285
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Fan, Senyuan; Kuo, Emily; Shah, Sneha; Bosi, Marina; 2023; Transient Detection Methods for Audio Coding [PDF]; Center for Computer Research in Music and Acoustics (CCRMA), Stanford University; Center for Computer Research in Music and Acoustics (CCRMA), Stanford University; Center for Computer Research in Music and Acoustics (CCRMA), Stanford University; Center for Computer Research in Music and Acoustics (CCRMA), Stanford University; Paper 131; Available from: https://aes2.org/publications/elibrary-page/?id=22285
Fan, Senyuan; Kuo, Emily; Shah, Sneha; Bosi, Marina; Transient Detection Methods for Audio Coding [PDF]; Center for Computer Research in Music and Acoustics (CCRMA), Stanford University; Center for Computer Research in Music and Acoustics (CCRMA), Stanford University; Center for Computer Research in Music and Acoustics (CCRMA), Stanford University; Center for Computer Research in Music and Acoustics (CCRMA), Stanford University; Paper 131; 2023 Available: https://aes2.org/publications/elibrary-page/?id=22285